20231107 音乐类直播节目导览 Online Stream Musical Events
一、米哈伊尔·普莱特涅夫演奏拉赫玛尼诺夫钢琴协奏曲全集 — 由长野健指挥 Mikhail Pletnev performs Rachmaninov's complete Piano Concertos — Conducted by Kent Nagano
直播平台：medici.tv
播出时间：2023年11月9日
当世最杰出钢琴家的超人壮举岂能错过！2023年是作曲大师谢尔盖·拉赫玛尼诺夫诞辰150周年，他的作品以其惊心动魄的戏剧性、充沛的激情和非凡的技术难度而闻名。在钢琴曲目中，可能没有比演奏拉赫玛尼诺夫全套钢琴协奏曲更具挑战性的任务了，也没有比米哈伊尔·普莱特涅夫更能胜任这项任务的艺术家了。普氏将在瑞士罗尔的罗塞音乐厅与去年由他本人创立的拉赫玛尼诺夫国际管弦乐团（旨在促进包括俄罗斯和乌克兰在内的欧洲各地音乐家之间的合作）共同演奏拉氏的全部四首钢琴协奏曲——不仅包括长久以来因其丰富和声和宽广旋律深受人们喜爱的第二和第三钢琴协奏曲，还外加“第五协奏曲”，也就是令人眼花缭乱的帕格尼尼主题狂想曲。传奇指挥家长野健的加入为这场众星云集的演出锦上添花，他将以一贯娴熟的双手和不可动摇的信心与普氏及其乐团合作。
Don't miss this superhuman feat by one of today's most accomplished pianists! 2023 marks the 150th anniversary of the birth of twentieth-century master Sergei Rachmaninov, whose work is known for its breathtaking drama, abundant passion, and extraordinary technical difficulty. In the piano repertoire, there may be no more challenging undertaking than tackling Rachmaninov's complete set of piano concertos—nor an artist more up to the task than the great Mikhail Pletnev.
Here at the Rosey Concert Hall in Rolle, Switzerland, alongside the Rachmaninov International Orchestra (which Pletnev founded in 2022 to foster international cooperation among musicians from all over Europe, including Russia and Ukraine), he performs the four Piano Concertos—all, not only the perennially beloved Nos. 2 and 3, overflowing with lush harmonies and sweeping melodies—plus the de facto fifth, the dazzling Rhapsody on a Theme of Paganini. Rounding out this star-studded event at the podium is legendary maestro Kent Nagano, who leads Pletnev and his ensemble with his usual deft hand and the unshakeable confidence required to unify these monumental works.
二、内登·托多罗夫指挥贝多芬与德沃夏克 — 与埃利亚斯·大卫·蒙卡多合作 Nayden Todorov conducts Beethoven and Dvořák — With Elias David Moncado
直播平台：medici.tv
播出时间：2023年11月11日
国际大赛得主小提琴家埃利亚斯·大卫·蒙卡多将初登维也纳音乐厅舞台，与索菲亚爱乐乐团及指挥家内登·托多罗夫同台演出，精彩不容错过！演出上半场将上演贝多芬D大调小提琴协奏曲，该作品作于1806年，当时正是这位德国作曲大师的多产时期。这首协奏曲是受当时著名小提琴家弗朗茨·克莱门特委约而作，并题献给了后者，但由于缺乏排练，首演并不成功。传言道，由于贝多芬很迟才写完独奏部分（仅仅是首演两天前！），以至于克莱门特演出的时候完全是在视奏。问世三十年间，这部作品一直默默无闻，直到1844年由时年12岁的小提琴家约瑟夫·约阿希姆与作曲家菲利克斯·门德尔松指挥的伦敦爱乐协会管弦乐团合作演出后，才得以重见天日，现在已成为最受欢迎和经常演出的小提琴协奏曲之一。演出下半场，索菲亚爱乐乐团将演奏德沃夏克的“新世界”交响曲：一部同样不拘一格的杰作。这部交响曲是作曲家住在纽约时创作的，融合了波西米亚、德国、法国和旧世代的音乐风格，反映了他客居美国时的文化背景。《纽约先驱报》的一位记者称赞这部作品是“一部高贵的、充满英雄气概的作品”。
Don’t miss prizewinning violinist Elias David Moncado’s sensational premiere at the Wiener Konzerthaus with the Sofia Philharmonic Orchestra, conducted by maestro Nayden Todorov!
A dazzling instrumental program awaits: first up is Beethoven’s Violin Concerto in D Major, composed in 1806 during a particularly prolific period for the German master. The concerto was commissioned by and dedicated to Franz Clement, a leading violinist of the day, but the first performance was unsuccessful due to a lack of rehearsal. It is rumored that Beethoven finished the solo part so late (two days before the premiere!) that Clement had to sight-read part of his performance. For three decades, the work remained in obscurity, until revived in 1844 by 12-year-old violinist Joseph Joachim with the orchestra of the London Philharmonic Society conducted by Felix Mendelssohn. It now stands as one of the most popular and regularly performed violin concertos. The Sofia Philharmonic Orchestra then take on Dvořák’s Symphony No. 9 in E Minor, Op. 95, "From the New World": a masterpiece that similarly shattered conventional notions of instrumental music. Written while the composer was living in New York City, the symphony blends Bohemian, German, French, and Old World musical styles to reflect upon his American setting. A reporter for the New York Herald hailed the work as "a noble composition…of heroic proportions," and the Sofia Philharmonic Orchestra’s beautiful rendition definitely does it justice!
三、芭芭拉·汉尼根指挥海顿、维维耶、利盖蒂和施特劳斯作品 — 与阿芙罗狄蒂·帕图里杜 Barbara Hannigan conducts Haydn, Vivier, Ligeti, and Strauss — With Aphrodite Patoulidou
直播平台： medici.tv
播出时间： 2023年11月12日
才华横溢的芭芭拉·汉尼根将首次以指挥家的身份在塞弗伦斯音乐厅亮相，这里是“美国最优秀的”(《纽约时报》评语)克利夫兰管弦乐团的根据地。无论演唱抑或指挥，汉尼根始终是一位大胆而不妥协的艺术家，她极具冒险精神地将不同时代和风格的作品放在一起演出，这些作品在她的指挥下往往能够完美地融为一体。是次演出以海顿的E小调第44号交响曲开始，该交响曲被称为“悼念交响曲”，是18世纪末“狂飙突进运动”潮流充满活力且令人难以忘怀的写照。接下来将上演法国作曲家克劳德·维维耶最著名的作品《孤独的孩子》，这是一部1980年为女高音和管弦乐队创作的作品，由阿芙罗狄蒂·帕图里杜担纲独唱。汉尼根和克利夫兰管弦乐团随后用怪诞而令人着迷的《遥远》向其100年前出生的作者捷尔吉·利盖蒂致敬，此曲生动展现了后者称之为微复调音乐中密集重叠的线条和音组。演出将以极其感人的《死与净化》结束，由25岁的理查·施特劳斯于1889年创作，表达了对死亡的哲思。该曲的“净化”动机后又被施氏运用于《最后四首歌》当中。
The brilliant Barbara Hannigan makes her eagerly awaited conducting debut at the legendary Severance Music Center, home of The Cleveland Orchestra, "America's finest" (New York Times)! A bold and uncompromising artist whose choices as both soprano and conductor reflect her adventurous spirit, Hannigan juxtaposes works of contrasting eras and styles that cohere beautifully under her baton.
The program begins with Haydn's Symphony No. 44 in E minor, known as the Trauersinfonie ("Mourning Symphony"), an energetic and haunting reflection of the Sturm und Drang ("storm and stress") artistic currents of the late 18th century. Next is the best known work by French composer Claude Vivier, Lonely Child, a 1980 work of "astonishing fragility and beauty" for soprano and orchestra featuring the "utterly mesmerizing" Aphrodite Patoulidou (The Guardian). Hannigan and The Cleveland Orchestra then pay tribute to the great György Ligeti, born 100 years ago, with his eerie and captivating Lontano ("Far Away"), a prime example of the densely overlapping lines and tone clusters of what he called micropolyphony. The evening concludes, fittingly, with the supremely moving Death and Transfiguration, a meditation on the great beyond composed in 1889 by a 25-year-old Richard Strauss, to whose "Transfiguration" motif Strauss would return over six decades later in the Four Last Songs.
四、基里尔·别特连科指挥莫扎特、贝尔格及勃拉姆斯作品 Kirill Petrenko conducts Mozart, Berg and Brahms
播出平台：柏林爱乐数字音乐厅 Berlin Phil Digital Concert Hall
播出时间：2023年11月4日
回放链接：https://www.digitalconcerthall.com/zh/concert/55031
基里尔·别特连科通过几部作品，令听众纵观德奥音乐传统——莫扎特的《第二十九交响曲》凭借轻松感与内心潜在绝望的交织令人着迷；而在贝尔格的三首管弦乐作品中，华尔兹与进行曲的回响如梦魇般变化莫测；勃拉姆斯的《第四交响曲》是浪漫晚期音乐中最华丽的作品之一，其忧伤之情着实令人动容。
Kirill Petrenko traverses the German-Austrian musical tradition with works that repeatedly look into abysses. Mozart’s Symphony No. 29 fascinates with a combination of light-heartedness and subliminal despair; in Berg’s Three Pieces for Orchestra, echoes of waltzes and marches are nightmarishly distorted. Brahms’s Fourth Symphony is one of the most magnificent works of the late Romantic repertoire and is pervaded with touching melancholy.
